One eases himself down to the resolution by using his personal convictions. The only way to get off from there is to use your wild imagination. The necklace is never found and the Loisels are plunged into poverty in order to pay off the debt caused by having to replace the necklace.
It stops right after it has swept you up and leaves you up there, hanging in mid-air. But one must remember that there shouldn’t be any more problems or conflicts after the climax, because what happens after is the resolution, the untangling, the smoothing out. This is probably why many think this event is also the climax. Neither did they live a luxurious life nor were they poor. Matilda Loisel lived in a small flat with her husband who worked as a clerk for the Minister of Education. The loss of the necklace is just one of the complications, but undoubtedly it is the major complication. The story ‘The Necklace’ was written seven hundred years ago by Guy De Maupassant in France. The rising action here consists of all the complications or conflicts, up to the turning point. The Necklace tells the story of Madame Mathilde Loisel and her husband. For the readers, we feel the pain.īelow is an illustration I made of the plot outline for the The Necklace: Like, wham! For the character, it is a painful realization. All these rolled into one fireball, thrust at the reader, catching him off guard. Like a whiplash, it is fast, sudden, shocking, harsh. The story’s ending is contrary to what we are expecting. I personally go for one that gives an incomplete structure, because of one big reason: Guy de Maupassant’s style as a writer…ĭe Maupassant is known for his twist endings, otherwise known as the whiplash ending. Many have written plot outlines for Guy de Maupassant’s short story The Necklace (La Parure), and they fall into two categories: one gives a complete outline, from exposition to resolution, and one that gives us only half.
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